Robert Frank

In the midst of an extended road trip across the United States, Robert Frank pointed his camera lens at a passing trolley in New Orleans, took a single exposure, and then turned back to bustling Canal Street, where crowds of people swarmed the sidewalks. That single click of the shutter produced a picture with enduring clarity: a row of windows framing the street car’s passengers—white passengers in the front, black passengers in the back. Frank captured individual faces gazing from each rectangular frame, from the weary black man in his work shirt, to the young white girl just in front of him, her hand resting on the wooden sign that designated areas segregated by race. In 1958, Frank wrote: “With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion.” By the time The Americans was published in the United States in 1959 (he managed to publish a French edition the previous year), with this image now appearing on its front cover, New Orleans street cars and buses had been desegregated through a May 30, 1958 court order. But Jim Crow was still in full swing, the 1960s Civil Rights struggles still ahead, and an essay by curator Lucy Gallun conveys how this image continues to reverberate in new contexts today.

Each volume in the One on One series is a sustained meditation on a single work from the collection of The Museum of Modern Art. A richly illustrated and lively essay illuminates the subject in detail and situates the work within the artist’s life and career as well as within broader historical contexts. This series is an invaluable guide for exploring and interpreting some of the most beloved artworks in the Museum’s collection.

Exhibition details:
New York, New York: The Museum of Modern Art: 2024
Washington, DC: National Gallery of Art: 2024